The Late Bronze Age is the time par excellence of the lens-shaped seal and the seal ring, which continued into the Archaic, Classical and Hellenistic periods, in the form of pictorial engraved gems.

Hard stone requires new rotary carving techniques. By the Middle Minoan age a new set for seal forms, motifs and materials appear. In the Early Minoan age these were formed of soft stone and ivory and show particular characteristic forms. One example shows a name written in Aramaic (YitsбёҐaq bar бё¤anina) engraved in reverse so as to read correctly in the impression.ДЇrom the beginning of the 3rd millennium BC until the Middle Ages, seals of various kinds were in production in the Aegean islands and mainland Greece. Recently, seals have come to light in South Arabia datable to the Himyarite age. From ancient Egypt seals in the form of В§В Signet rings, including some with the names of kings, have been found these tend to show only names in hieroglyphics. Many have only images, often very finely carved, with no writing, while others have both. They are normally hollow and it is presumed that they were worn on a string or chain round the neck. These could be rolled along to create an impression on clay (which could be repeated indefinitely), and used as labels on consignments of trade goods, or for other purposes. In ancient Mesopotamia carved or engraved cylinder seals in stone or other materials were used. Seals were used in the earliest civilizations and are of considerable importance in archaeology and art history. The study of seals is known as sigillography or sphragistics. In Europe, although coats of arms and heraldic badges may well feature in such contexts as well as on seals, the seal design in its entirety rarely appears as a graphical emblem and is used mainly as originally intended: as an impression on documents. states appear on their respective state flags. Thus, for example, the Great Seal of the United States, among other uses, appears on the reverse of the one-dollar bill and several of the seals of the U.S. In the United States, the word 'seal' is sometimes assigned to a facsimile of the seal design (in monochrome or color), which may be used in a variety of contexts including architectural settings, on flags, or on official letterheads. Some jurisdictions consider rubber stamps or specified signature-accompanying words such as 'seal' or 'L.S.' (abbreviation of locus sigilli, 'place of the seal') to be the legal equivalent of, i.e., an equally effective substitute for, a seal. These 'pendent' seal impressions dangled below the documents they authenticated, to which the attachment tag was sewn or otherwise attached (single-sided seals were treated in the same way).

Most seals have always given a single impression on an essentially flat surface, but in medieval Europe two-sided seals with two matrices were often used by institutions or rulers (such as towns, bishops and kings) to make two-sided or fully three-dimensional impressions in wax, with a 'tag', a piece of ribbon or strip of parchment, running through them. The process is essentially that of a mould. However engraved gems were often carved in relief, called cameo in this context, giving a 'counter-relief' or intaglio impression when used as seals. This will not be the case if paper is embossed from behind, where the matrix and impression read the same way, and both matrix and impression are in relief. The design on the impression will reverse (be a mirror-image of) that of the matrix, which is especially important when script is included in the design, as it very often is. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the design on the impressions made is in relief (raised above the surface). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a dry seal in other cases ink or another liquid or liquefied medium is used, in another color than the paper. The seal-making device is also referred to as the seal matrix or die the imprint it creates as the seal impression (or, more rarely, the sealing).

The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb 'to seal', which implies secure closing without an actual wax seal). Present-day impression of a Late Bronze Age sealДЄ seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made.

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